英语翻译It takes a true artist to be able to make stop motion an

英语翻译
It takes a true artist to be able to make stop motion animation at the level and detail that Ron Cole has achieved.He has brought upon a look and feeling in his animation that at first glance looks as if the puppets are either animatronic live action or CGI.But upon a second look it becomes obvious that Ron Coles style of Stop Motion Animation is all his own.His skills are not just limited to puppet building,he is an exceptional painter and set builder as well.The kindness that he has shown others in the stop motion community must be commended fore he is always on the lookout to help some lost sole new to the art find their stop motion wings.So we felt it only right to take look for a minute into this very talented animator's life.
SMM :How did you get involved in the art of Stop Motion?
Ron Cole:I took up animating when I was in high school when a friend of mine got a Super 8 movie camera as a gift and stop motion just made the most sense to work in because you can create an entire world in a very small space.Of course I loved stop motion just from being a fan of all the great stop motion films and TV shows I watched growing up.I had done quite a bit of flip-book 2D animation just for fun so,I had a feeling for the basic concepts involved in creating motion so,stop motion was a natural progression from that.After my first experience animating on film and seeing the results,it instantly became an addiction.
SMM:Could you tell us a little bit about your film “In The Fall of Gravity” and what inspired you to make such a great film?
Ron Cole:The script was a very difficult one to come up with because of the behaviors I wanted to demonstrate with these puppets.I wanted a very serious conversation to take place between the two characters,yet I only wanted the film to be about 9 minutes long so,it was a challenge to come up with a story that would involve the conflict and resolution.So I decided instead to look at the story as I would poetry,focusing on the feeling of the moment and just leave the audience with something to think about,you might call it an ‘odyssey’.It’s a moment in time between these two characters in which a question about the nature of life arises,a question that philosophers have wrestled with for ages,“Are we really in control of our own actions,or do we simply respond to the world around us?”.I thought that was a perfect question to be taken up between two puppets.

它需要一个真正的艺术家,能够使罗恩 - 科尔已经取得的层次和细节停止运动动画.他带来了后一看,在他的动画的感觉,第一眼看上去仿佛木偶要么animatronic真人或CGI.但第二次的样子后,它变得很明显,罗恩科尔斯停止运动动画的风格是自己的.他的技能并不仅仅局限于傀儡建设,他是一个出色的画家,以及设置建设者.停止运动界,他表现出了别人的大恩必须赞扬脱颖而出,他永远是求贤若渴,以帮助一些失去了唯一的新的艺术找到他们停止运动的翅膀.因此,我们认为唯一正确的,采取一分钟看一下这个非常有才华的的动画师的生活.
SMM的：你是如何在停止运动的艺术参与呢?
罗恩 - 科尔：我把动画当我在高中时,我的一个朋友,作为礼物速8摄像机和停止运动,最有意义的工作,因为你可以在一个非常小的的空间创造了整个世界.当然,我爱停止所有伟大的停止运动电影和电视节目,我看着成长起来的粉丝运动.我做了相当位翻转书的二维动画,只是为了好玩,我有一个感觉创造的议案,所涉及的基本概念,停止从该议案是一个自然进程.我第一次的经验,动画电影和看到的结果后,立即成为了瘾.
SMM的：你能否告诉我们关于你的电影“在重力的秋天”有点什么促使你做出这样一个伟大的电影?
罗恩 - 科尔：“脚本是一个非常困难的,因为我想证明这些傀儡的行为上来.我想一个很严重的的两个字符之间的地方,但我只是想电影,约9分钟长,所以,这是一个挑战,来同一个故事,涉及的冲突和解决.所以我决定,而不是在看故事,我想诗,注重的那一刻的感觉,只留下一些思考的观众,你可以称之为“大话西游”.在这两个字符,其中关于生命本质的问题时之间的时间间隔的时刻,问题,哲学家搏斗了好半天,“我们真的在控制我们自己的行动,或做我们简单地回应到周围的世界我们呢?“.我认为这是一个完美的问题,要采取两个木偶之间.